The ultimate secret to developing your street photography

(Day at the Tate: Won an IPA (International Photography Award))


Shooting Street Photography without a project is like food shopping when you’re hungry.
You might get a few nice treats, but ultimately you get back and find there is nothing to sustain you.

So, if you’ve ever been out shooting street photography and found yourself uninspired, demotivated by not finding new material, or just not knowing what it is you’re looking for, I have the perfect solution for you – personal projects.

Don’t panic! The concept of personal projects and developing a body of work can be intimidating, so I developed a simple system for one of my one to one workshop clients, which I’m going to share with you.

This will:

  • Help you find new material
  • Improve your hit rate and push you to be more creative
  • Give you a purpose and the concept of what you are looking for
  • Develop your inner artist to feel more fulfilled


(Day at the Tate: This lady stepped back into my frame while her boyfriend took her picture. I love that her shadow looks like a face.)


Let’s start with you and that most important keystone: Authenticity

I could be lazy and provide you with a huge list of potential projects and perhaps the odd one might resonate with you, but that’s where most of us fall down. So, instead I’ve developed a super simple questionnaire you can print out and spend 5 minutes filling in, to find potential projects that reflect your values and beliefs that ultimately, are authentic and personal to you.

At this point, don’t even think about photography or projects, simply complete the questionnaire and let’s explore you. I’d suggest you just jot down whatever comes to mind, but do it now before reading the rest of the article.

Here’s a PDF of the questionnaire for you to complete.


(Day at the Tate: Playing with leading lines and negative space.)


What is a personal project or body of work?

Let’s not get hung up on definitions: It’s simply a collection of pictures on a single theme. Perhaps individually they do not tell the entire story and are more powerful as a collection.

For our purpose let’s say 9 or more images on a single topic.

The topic can be absolutely anything, from a simple collection of images of shadows, all the way through to something with social impact.

TOP TIP: My advice is to have 3-6 projects on the go, so that when you go out shooting you have a readymade shopping list of things that you are looking for. Or, you can go out and concentrate on just one at a time.


(Day at the Tate: Telling the story of brutal architecture using 1/15th second handheld)


For now let’s keep it simple to get you started and explore a few project categories:


Many great projects revolve around a simple location. I recently shot a really simple one called ‘A Day at the Tate’. It’s a simple collection and one which challenged me to get creative, in a set location and a set timeframe, and was great fun. I’ve scattered these throughout the article to show you how a simple project idea can yield great results and in fact, the headline image won an IPA (International Photography Award).

I’m currently working on a project about the gentrification of London’s Soho, which is proving very interesting.

Dougie Wallace did a fantastic one called ‘Harrodsburg’ based around the area outside the Harrods store in London.

If you don’t live near a city, there is still no excuse! Check out the winners of the ‘My Town’ photographic competition to see what you can achieve with a little imagination, in your own town or street.


(Day at the Tate: In my mind, this chap was having a difficult conversation with his wife, so composition-wise I trapped him & positioned him to insinuate he was exiting a relationship.)


An Aesthetic:

We are all drawn to different street photography aesthetics; shadows, geometrics, architecture, colour, night life, people with umbrellas or whatever. This can be a rich source for projects and a very easy start point. If you’re thinking of a Night Street Photography project, do check out our article: 11 Secrets to up your night street photography game.


(Day at the Tate: Lunch for one exploring social isolation.)


A brilliant example of combining both location and aesthetic, is Nick Turpin’s amazing ‘On the night bus


Passion or Interest:

Perhaps you have a passion or interest that would make a great street photography project?
Explore the things that you have strong views about, such as financial imbalance in society, climate change, waste, how we treat our ex-military for example.


The ultimate secret to developing your street photography

(Day at the Tate: Whilst attracted to the light, I framed this chap playing on his phone exploring people’s relationship with art.)

Places you have access to or frequent:

Perhaps you have access to somewhere interesting that others do not. This could be as simple as a gun or golf club. My one to one client is a member of a local golf club and is about to embark on a project called ‘Ladies Day’, looking at the differences between the sexes and people’s obsession with golf. Remember that street photography doesn’t need to be on the street!

Perhaps you spend hours commuting each day? Photographer Michael Wolfs project, ‘Tokyo Compression’, is a brilliant and inspiring project that explores the indignity of commuting.


(Day at the Tate: Love this romantic moment, interesting that ‘who owns what’ changes dramatically at the beginning versus the end of a relationship.)

A point in time, Social observation, Social or political change:

British photographer Martin Parr is an inspiring master of social observation and you only need to look at his immense collection of books on various topics to get ideas and inspiration. I particularly love his ‘Death by Selfie’ mini book amusingly produced in the shape of a phone which captures this time of self-obsession.


(Day at the Tate: The moment 2 angels appeared, would have been perfect if an old lady was looking at them thinking what the?)

An Event:

Going to an interesting event, or perhaps your local town or city is celebrating an event? It’s the perfect opportunity to observe people, telling the story as you see it to create a brilliant and engaging project.


TOP TIP: If you’re still struggling, take a look back at your old images and find one you love. Could you build a project or collection of images from this strong starting point, be it a location or other aesthetic?


(Day at the Tate: Playing with light, shape, and form at 1/150th of a second)

How long does a project take and how will I know when it’s complete?

A project can last a day or several years, it rather depends on the topic and when you feel that you’ve explored it sufficiently. Don’t get too hung up on this, simply get started and see where it leads you.


(Day at the Tate: The moment I asked another photographer to jump out of the way – she took it quite literally!)

6  ways to celebrate and share a completed project:

Brilliant – you’ve thought of a great idea, got engrossed in shooting it and now you have a collection of images you want to share with the world. What now?

Well, I’ve got 6 great, inexpensive ideas for how, or where, you can share your work:

  1. Get online and either add them to your own website or use a service like SmugMug or SquareSpace to create a website from your gallery. Then you can seek out groups on various platforms like Facebook etc and share your work with likeminded individuals.
  2. Create a Zine! A Zine is a small, cheap to produce mini-magazine which you can create yourself or have printed by a company for a few pounds or dollars. Seeing your project in print is an incredibly rewarding way to celebrate its completion and to share it with friends, family, members of a camera club, the location or the people involved. Simply google ‘zine’ and you’ll find lots of companies who can help you make one and print it
  3. Organise an exhibition! This could be as simple as a few framed prints at home and having friends over for a beer, to hiring a space to show off your work.
  4. Print them as postcards to send or give away.
  5. Create a self-published book and give away copies as gifts.
  6. Lots of photography competitions have a specific category for a series of images which, statistically, less people enter as it’s more effort. This substantially increases your chances of winning. Websites like, and all have listings of some great competitions, so go for it. You have no excuse!


I hope that you found this useful, that you start by keeping it simple and build upon that. I’d love to see any of your existing projects or new ones that you create – post links to the comments section below and we will share them in a future article.

All images shot on a FujiFilm XT3 with 16mm f1.4

Simon Ellingworth has 9 international awards and teaches a variety of London based Street Photography based workshops.

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